更新时间：2025-04-28 17:47:12
封面
版权信息
编委会
Introduction to the Fifth Issue
Hollywood and the Chinese Cinema
I. The Inspiration: Introducing American Films to China: 1895-1927
II. The Dominance: Hollywood Golden Years in China: l927-1949
III. The Communication Stagnation: 1949-1979
IV. The Idolization: 1979-1989
V. The Diversification: 1989-Present
Mulan’s Transnational Identity in Disney’s Mulan (1998) and Jingle Ma’s Hua Mulan (2009)
The Figure of Hua Mulan in Chinese Literary History
Mulan’s Introduction in the United States
Disney’s Mulan: Seeking for the True Self and Personal Happiness
Jingle Ma’s Hua Mulan: Caring All People as a Cosmopolitan Patriot
Disney’s Mulan and Jingle Ma’s Mulan: Promoting a Peaceful World within the Nation and beyond
The Exploration of Self in Wu Tianming’s Films
Introduction
Tested in Life: The Failure of the Introspective Self
Between the Collective and the Social
The Collapse of Rites and the Spoilt of Music
Lament from/for the Phoenix: a Self to Be Reborn
Unmasking an Authentic Self in Changes
Conclusion
Wu Tianming and Chinese Cinema: The Field of Cultural Production since 1979
The Theoretical Predicament
Wu’s Administration at the 1980s Cultural Production Scene
Wu’s Artistic Creation in the Chinese Western
Revisioning Wu’S Film Trajectory
Soviet Schooling: The Case of Joseph Brodsky
侨易学视域下的中美文学交流
一 异质文学激荡中的变创
二 异国形象塑造中的恒常
三 侨易个体位移中的观念创生
文学的“侨寓”与“翻易”：以中美戏剧文学交流为例
一
二
三
中外文学交流中的生态和侨易“身份”
